Ruth Reader

A+S Works On The Farm

BY RUTH READER AUGUST 12, 2011 Legs folded, seated on a riser in a small black box theater at Triskelion Arts in Williamsburg, choreographer Sarah Capua directs two dancers, “Every relationship with the ground is important. Like you’re walking on sacred ground.” She unfolds her legs to model the delicate footsteps she describes.

Capua runs a start-up dance company alongside her long-time friend and collaborator Audrey Ellis, called A+S Works (after their first names). They are working on their upcoming performance, Dakota, which is influenced by poet Kathleen Norris’ first work of nonfiction, Dakota: A Spiritual Geography, 2001.

WE ARE: Cash, Guns, and Money

[caption id="attachment_165" align="alignleft" width="300" caption="Sarah Frost Browning's Paper Gun @ NURTUREArts WE ARE exhibit."][/caption] BY RUTH READER AUGUST 4, 2011

A 50 caliber M2 lays loaded and ready on the ground next to a thousand-dollar stack of cash. One of the walls of this sparsely lit room is pocked with a dark viscous substance.  No, this is not a crime scene. This is NUTUREart’s WE ARE: exhibit Live and Let Die, presented by curatorial platform Fortress to Solitude...

Ballet At Tandem

[caption id="attachment_145" align="alignleft" width="200" caption="Photograph by Karli Cadel"][/caption]


“You’re late!” A thin muscular man calls out, his chin pointed high in the air with dissatisfaction.

A young lady joins a string of other young women lined up at Tandem’s wooden bar. Each is dressed in some variation of stretch pants and a tee-shirt; some are barefoot, some in socks. The man lowers his chin and takes a tall stance, “Okay, let’s start with pliés.” This weekend as part of Bushwick Open Studios, men and women found themselves clamoring for a spot at Tandem’s bar, or should we say barre, for a ballet class hosted by Movement Research. Taught by long time dancer and choreographer Greg Zuccolo, the class was a surprisingly vigorous two hour full of tondués, rond de jambs, and pirouettes.

What Is Performance? Figure It Out.


Last August, choreographer and performance artist Jill Sigman poured dirt onto the floor of her studio and erected an elaborate hut comprised of trash found in Bushwick for Talking Trash in a Hut, 2010. She lured passersby into her apartment with a scavenger hunt she set up around the neighborhood. She placed hand-written notes in trees that led participants to her studio for tea and conversation.

As the project evolved, so did Sigman’s apartment. She discovered plant growth and bugs in the dirt surrounding the hut after she spent just a few days away.  “It was like an entire ecosystem had sprung up in my apartment!” she marveled.